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5557影视

豹头王传说
日本日语2009
 《豹头王传说》是栗本薫所著的长篇小说,作品讲述以主人公Guin为中心,在架空的世界、时代中的人们生与死的故事。作品从描写国与国的战争、策略、兴亡到市井人们的欲望、爱情、友情、仇恨等,是一部历史巨篇。小说从1979年9月推出第一卷《豹头的假面》以来,到2008年12月已推出123卷正传、21卷外传,总计发行部数超过2800万册,受到了众多读者的支持。小说在2003年推出英文版,随后再被翻译成德、泰、俄、法等语言,今后还将推出中文版和韩文版。小说还于2000年由柳泽一明作画推出首部改编漫画《七个魔道师》,这次是小说的首次动画化。  动画版由Satelight制作,监督为若林厚史(代表作:《幽游白书》、《火影忍者》),系列构成&剧本为米村正二(代表作:《口袋妖怪》系列、《花田少年史》),角色设定为村田峻治(代表作:《机动警察》剧场版),音乐则是RPG名作《最终幻想》系列的御用作曲家植松伸夫。  故事主角是连自己的出生地都不记得了的豹头战士古因,生于架空的世界,架空的时代,以他为中心,一幕幕的生死在上演。这部有如《三国志》般宏大的背景设定中,国与国之间的连年战争、谋略、兴亡正顺着命运的齿轮在转动,其中交织着宫廷、市井人物间的形形色色人物的野心、妄念、友情、诀别、恋爱等爱憎交织的感情大戏。

5557影视

手里剑战队忍忍者
日本日语2015
  战国时代──以恐怖来统治天下最凶最恶的武将“牙鬼幻月”。由“伊贺崎家”率领的一群忍者,经过激烈的战斗,打倒了“牙鬼幻月”。 但“牙鬼幻月”却留下了不详的预言… “444年后,我将变成妖怪复活再次以恐怖支配天下!”时光流逝—— 终结忍者“伊贺崎好天”跟复活的妖怪“牙鬼幻月”决斗,并成功将它封印。时光再次流逝到了现代──“牙鬼幻月”的封印被解除, “牙鬼幻月”的怨念生出了一批妖怪,这些妖怪们组成“牙鬼军团”, 为了让“牙鬼幻月”完全复活,妖怪们到处搜集人们的恐惧心,开始向人们展开袭击!紧急时刻,出现了5个年轻人。 他们正是伊贺崎家的末裔,也就是终结忍者・伊贺崎好天的孙子们!“当忍则忍,可不忍则不忍!” 三代同堂,用火热的“忍者心”(Nintality)以及各种异想天开的忍术来漂亮的击退妖怪!为了继承祖父的“终结忍者”这个封号,也为了阻止妖怪军团让“牙鬼幻月”复活, 他们不仅不忍,还要大肆反击!

5557影视

工人,农民
法国其它2001
  "Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide  "The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport  both in their professional and daily lives  between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.  The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson  "my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum

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