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圣域第一季
美国英语2014
  该剧改编自2010年电影《基督再临》(Legion),故事发生在电影时间的25年之后。天使军团与人类的战争彻底改变了地球的模样,人们熟知的世界已经彻底毁灭,但终极战争尚未到来。在该剧中,桀骜不驯的年轻士兵Alex Lannen(Christopher Egan)发现自己竟然是人类的救世主——虽然他并不情愿承担这个责任。Alan Dale扮演Rysen将军,领导人类在灭绝战争(Extermination War)中取得了阶段性胜利。他现在统治着Vega(原拉斯维加斯城)——战争结束后仅存的四座人类城市之一。Vega完全实习军事化管理,社会等级森严,Rysen必须竭尽全力才能维持社会的稳定并处理好政治上的事情。与此同时,他还要确保自己的女儿Claire不惹是非。  Tom Wisdom扮演大天使战团中最杰出的勇士Michael(米迦勒,电影中由Paul Bettany扮演),他在灭绝战争期间帮助人类击败天使战团。他现在住在Vega城,利用他的超自然能力来保护城中居民不受敌人的攻击。Anthony Stewart Head扮演Vega议院推选的总统David Weel,和Rysen将军一起治理Vega。他渴求权力,时常与Rysen将军发生矛盾。他不惜使用一切手段来确保Vega的稳定并巩固自己的统治地位。Roxanne McKee扮演Rysen将军的女儿Claire Rysen,在Vega相当于一个公主。她生活在Vega上流社会的顶层,但她意志坚强,比一般的富家千金更有魄力。Luke Allen-Gale扮演David Weel的儿子William Weel,他对政治不感兴趣,只想帮助老百姓。他现在是救赎者教堂的负责人。Shivani Ghai扮演Helena外交官Arika(非常规角色)。Helena是一个神秘的母系社会,非常好战。他们盘踞在原来的盐湖城,与Vega维持着脆弱的和平。

5557影视

凯撒万岁
英国英语2016
  艾迪(乔什·布洛林 Josh Brolin 饰)是一名效力于国会制片厂的制片人,表面看来,这是一份光鲜亮丽的职业,艾迪整天出入于高端场所和宴会之中,打交道的都是大明星和各路社会名流,可实际上,艾迪真正在干的,是帮这群整天闲着没事干尽惹麻烦的巨婴们“擦屁股”的活计。  导演劳伦斯(拉尔夫·费因斯 Ralph Fiennes 饰)不小心让知名女明星狄安娜(斯嘉丽·约翰逊 Scarlett Johansson 饰)怀孕了,艾迪必须想办法让这件事成为永远的秘密。酗酒成性的老演员拜尔德(乔治·克鲁尼 George Clooney 饰)在新片即将开机之前竟然遭人绑架,筹得10万美元赎金的活也落在了艾迪的头上,除此之外,艾迪还要谨防对明星八卦虎视眈眈的双胞胎娱记赛克姐妹(蒂尔达·斯文顿 Tilda Swinton 饰)。

5557影视

不安分的年轻人们
法国法语1958
  Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...    Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.    Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.    Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.    Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

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