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5557影视

我是歌手第四季
大陆国语2016
  《我是歌手》是引进自韩国MBC电视台歌手竞赛节目,7位歌手,七首歌,七种质感,七码荡气回肠的真实音乐大戏,首席组合羽泉获得第一季歌王称号,韩磊获得第二季歌王称号,韩红获得第三季歌王称号。  节目赛制  节目共13期,包括生存赛、突围赛(复活赛)半决赛、决赛和踢馆赛  生存赛共分为5轮,每轮演出分两场。每轮有7名歌手参与竞演,每场均有500名观众听审参与表决,每位听审选择3位自己认为本场表现最佳的歌手。每轮的第一场和第二场竞演所得票数相加,总得票率累计最低的选手被淘汰出7人阵容,由新加入的一位歌手顶替。被淘汰的歌手一般会在淘汰后的第二期中作为压轴返场演唱,返场演唱不再计入投票。  随着比赛的深入,节目会增加「轮盘抽歌」、「致敬专场」、「复活赛」、「突围赛」等多种比赛形式,用来提升节目的悬念度。复活赛邀请在节目中被淘汰的选手再进行一轮比赛,胜出者可和留下的6位选手角逐年度歌手。在选歌上,除了第一次参赛可以唱自己的代表作,其他一定要翻唱其他歌手的歌曲。  每位歌手都有一位“经纪人”,“经纪人”一般由湖南卫视主持人担任。歌手被淘汰,相应“经纪人”也被淘汰。另外,节目无固定主持人,主持人一般由参加竞演的某位歌手担任。

5557影视

芳心封鎖
其它其它1969
  The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.  The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.  Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens.  The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.  It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief.  "Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.  Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.  This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.

5557影视

毛泽东回韶山
大陆其它2006
  2007年12月26日是中国人民的伟大领袖毛泽东主席诞辰114周年纪念日,这是中国人要永远记住的日子。没有毛主席领导的共产党,就没有新中国,没有新中国,就没有今天的幸福生活。在这个日子里,我怀着对伟大领袖的深厚感情观看了影片《毛泽东回韶山》,借此缅怀伟人。  影片描述了领袖回乡省亲经历,表现了领袖实事求是的作风,当领袖听到基层干部虚报产量,不实事求是地回答问题时,语重心长地告诫他们一定要如实地对待生产,对待群众,对待自己。亲自纠正了韶山公社基层干部工作中的冒进思想。  影片叙述了领袖为亲近乡亲们,为了更自由的走访群众,了解社会实情、乡亲们的真实生活,指示保卫部门减少当地公安干警,不惊动百姓乡亲,只带了少数几个贴身警卫,轻车简从来到故乡,体现了领袖朴实的工作风范。  这部电影以毛泽东回乡扫墓,看望乡亲的平常生活为重心,描写了一生为人民谋幸福,念念不忘亿万农民的领袖的乡土深情,它给当今内心迷惘的现代人,带来了一种久违的精神力量,使人产生走近领袖、亲近领袖的审美共鸣。  领袖宴请乡亲们的场面是整个剧情的高潮,非常感人,这个令人难忘的乡宴的场面,表现了当年物质尚不丰富的农村生活真实的情况。当十三阿婆将那双32年前为毛泽东做的青布鞋送到毛泽东手里的时候,乡亲思念领袖、爱护领袖的情感到达了最浓厚的瞬间,表现了领袖与老百姓同甘苦、共患难、艰苦创业的历史。  领袖去看五阿婆时,当她问,岸英还好吧?领袖告诉她,岸英在朝鲜战场牺牲了。顿时她捶胸顿足地说:他是你的崽呀!你怎么能送他上战场呢?领袖说:别人的儿子是儿子,我毛泽东的儿子也不能搞特殊啊!这段剧情生动表现了领袖的博大胸怀。  这是一部以小见大、见微知著的作品。它歌颂了领袖与人民的血肉关系,让现代人真切理解中国共产党的精神之髓,深刻体会到我们的党之所以能够取得胜利的根本所在。

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