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5557影视

指定幸存者第一季
美国英语2016
  《24小时 24》 前主演Kiefer Sutherland先前确定加盟ABC的政治阴谋惊悚剧《指定幸存者 Designated Survivor》,出演美国总统,同时也讲担任本剧的执行制作人。《指定幸存者》讲述的是,美国内阁一名低权限职员Tom Kirkman(Kiefer Sutherland饰),突然在一次恐怖袭击后被成为了总统,因为在那次恐怖袭击中,在他以上所有拥有继承权的人都死了。(指定幸存者是在美国总统和国 家其他高级领导人聚集在同一处时故意安排的一名缺席内阁成员,此举是为了确保在总统、副总统、国会领袖及内阁成员全体丧生之后仍有人成为总统,继续带领美国。)  《豪斯医生 House》主演Kal Penn饰演为主角Tom Kirkman写演讲稿的讲稿撰稿人Seth Wright﹑《追寻人生 Chasing Life》的Italia Ricci饰演十分正经的白宫幕僚长Emily。《跟踪者 Stalker》及《尼基塔 Nikita》的Maggie Q饰演Hannah Wells,是主导调查的国会大厦炸弹恐袭案的FBI探员﹑《加州靡情 Californication》的Natascha McElhone饰演Tom Kirkman的妻子,美国公平就业机会委员会的律师,一下子成了美国第一夫人。  Adan Canto饰演十分进取的副幕僚长Aaron,希望获得总统的推拔。LaMonica Garrett饰演Ritter,主角Tom Kirkman手下的特勤局主任,在炸弹袭击后负责保护主角一家。Malik Yoba以重要循环角色的身份加盟,他目前将演出7集,是个经验丰富的FBI副局长。他是剧中角色Hannah Wells的导师﹑上司,兼且偶然当她的拳击练习对手。  Tanner Buchanan饰演Leo Kirkman﹑Tom与Alex的儿子。

5557影视

飘零双燕
法国法语2002
  Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence.  Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles.  Magdalena lives with her adopted parents and works in an art gallery.  The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion.  Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch.  Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date.  The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride.  The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled.  Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert.  The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.

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