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5557影视

老爷太太仆人
印度英语2011
  剧情介绍:  在一个位于印度北部的小镇上,一位美丽的贵妇人和她的贵族丈夫,一名雄心勃勃的少年,一场充斥着背叛与野心的阴谋,构成了一个关于老爷 太太 仆人的故事。  贵族大人与他的娇妻,住在他们祖先传下的古老王室住宅中,他们试图据此保持祖先时代的高贵地位。但时过境迁,由于财务状况走向极端,并且贵族大人沿袭了皇室习惯——包养情妇。他渐渐入不敷出,确实难以维持他的地位与钱财了。  Gainda Singh,一个作为与他竞争的政党人物,接到了一个终极使命——除掉贵族大人以及他的盟友,再接管被这个王室家族统治了几十年的政权。他,就是该政党在贵族大人的身边安插的一枚“定时炸弹”——一个让贵族大人最信任的危险仆人。  由于贵族大人的兴趣全放在他的美貌情妇身上,贵妇人遭到他的严重冷落,她竭尽全力想要挽回丈夫的心,所付出的所有努力只不过是希望自己丈夫可以多花些精力和时间陪陪自己。贵族大人开始制定死亡名单杀害他的财权分配人,以及保住他无比挥霍的生活方式,保住他高高在上、不受动摇的政治地位。他必须赢得选举,因为他不想失去盟友,不想他那更加恶化的财务状况无法收场。  镜头转向同为贵族大人的对手政党的Babloo派,他们为谋杀贵族大人制定了一个周密计划。在为贵妇人开车的年迈司机车祸后,一个年轻的司机走进了贵妇人的生活。当然,这自然是阴谋的一部分。  贵妇人无法忍受丈夫的冷落,她竭斯底里地渴望着她身体的“性需求”。于是,她同那个看上去更愿意在她身上多花些时间的年轻司机发生了关系。  在这个过程中,Babloo男孩与贵妇双双坠入爱河无力自拔,他在贵族大人面前坦白了他的真实身份和意图。这时,贵族大人、贵妇人、Babloo男仆之间的戏剧化故事才真正揭开帷幕。  这个充满了曲折的故事,已经发展到贵妇利用Babloo男仆杀害了一直吸引贵族大人的他的情妇,她想夺回丈夫对她的爱。而Babloo男仆除了在想方设法满足贵妇人的要求外,他还想真正拥有她。这个极有野心的男孩要得更多,包括除掉Gainda Singh以使他得到贵族大人的权势。

5557影视

痴心女子负心郎
美国英语1948
  Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.  This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.

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