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5557影视

不安分的年轻人们
法国法语1958
  Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...    Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.    Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.    Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.    Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

5557影视

嗨唱转起来第一季
大陆国语2019
  2019年10月12日,节目组正式官宣,兼具国民度、综艺感和正能量的谢娜和罗志祥的“娜么吉祥”组合正式出道营业!  作为一档为全民解压提供出口的全民音乐综艺互动秀,《嗨唱转起来》将在60秒的极致容量中嗨转舞台。这种开唱即高潮的设定,势必让观众迅速从受感染的“宅客”转变为能够隔屏互动的“嗨客”。节目倡导的“宅嗨”,不仅为现代都市人制造了一个卸下烦恼的综艺“乌托邦”,而且为酷炫肆意的自我表达留下了充足空间。  在新时代下,全民对幸福生活的表达无处不在,歌声的各色魅力候场登台。作为湖南卫视四季度神秘惊喜,《嗨唱转起来》将新唱最有国民度、最具时代意义的经典歌曲,并网罗最流行、最具舞台感的音乐达人登上高光舞台,由沙发客和现场观众分别决定嗨唱歌手是站定C位,还是遗憾“再见”。  而作为嗨唱大玩家,谢娜和罗志祥既是把控现场气氛的主心骨,更是转盘舞台的最终把关人。当嗨唱歌手进入第二轮的整曲演唱,嗨唱大玩家还拥有黄金按钮的特别权利,不仅能让嗨唱歌手回转到转盘舞台C位,还能将其纳入自己麾下。而幸运与实力兼备的嗨唱歌手则有望共同演绎一场独一无二的跨年大秀,可以说“售后”非常良心了!  当音乐综艺成为全民解压的新窗口,《嗨唱转起来》被赋予了更为温暖的精神使命——给予当下负压群体一个暂时喘息的音乐时空。嗨唱歌手们将用一首首经典歌曲新唱制造每周一次的“宅嗨”KTV,转出来的惊喜背后,有着对于普通人日常负压的细致关照,更重要的是,鼓励每一个独立个体跳脱烦恼桎梏,重新发现生活的美好与高光时刻!

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