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5557影视

偶像大师 灰姑娘女孩第二季
日本日语2015
  サマーフェスから1か月が過ぎた頃、346グループ会長の娘で、米国の関連企業から戻ったばかりの美城常務がアイドル部門の統括重役として赴任する。成果が上がるまでの時間がかかりすぎている346プロの現状を問題視する常務は、全プロジェクトを解体して白紙に戻し、有望なアイドルを見定めて彼女らを中心に据える346ブランドの強化案を実行に移した。フェス後に順調に仕事を増やしてきたCPも影響を受け、プロジェクトルームも30階のオフィスから地階へと移ることになる。画一化されたアイドルの理想像を提唱する常務に対し、アイドル各人の個性の成長を重視するプロデューサーは対案として「シンデレラの舞踏会」企画を提示し、今期末(冬)までに一定の成果を出すことを条件に自由裁量権を得る。  強引な改革は346プロを徐々に変えていく。常務が有力なアイドルへの働きかけを続ける裏で、CPは「舞踏会」の為に更なるスキルアップに励み、その過程で常務の路線に難色を示す他部署のアイドルをも巻き込んでいく。やがて常務は自ら選抜したアイドル達で構成される新企画「Project:Krone」を発表するが、そのメンバー候補の中にはアナスタシアと凛も含まれていた。アナスタシアは自身の成長のためにあえて参加を決意し、その意を受けた美波と、CPの枠を越えてアイドル各人の将来を考え始めたプロデューサーの承認を受けて「LOVE LAIKA」との掛け持ち態勢に移る。一方、同じく「Krone」に選ばれた中学校時代の同級生・北条加蓮と、その相棒・神谷奈緒とのユニット「トライアドプリムス」に惹かれる「なにか」を感じた凛は卯月と未央に相談を持ちかける。未央は一度は「Krone」への参加に反発するが、凛が求めている「なにか」を自分なりに確かめるため、自分もソロ活動に挑戦することを宣言し、凛の背中を押す。  常務から各部署の査定会を兼ねるオータムフェスに急遽参加を求められたプロデューサーは、他部署からの応援を加えてCPを再編成する。

5557影视

心中的故乡
韩国韩语1949
  Synopsis  Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her.  Notes  "A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea."  A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as "a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation." Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles.  Afterword:  - Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.

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