青蛙军曹第四季搜索结果

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陆军特战队
大陆国语2005
  S军区着眼未来战争发展趋势和部队信息化建设需要,决定从所属各侦察、通讯等部队选拔优秀官兵,组建一支能适应未来信息化条件下作战需要,执行应急任务的精锐部队。经严格筛选,初步留下80名队员,然后再进行全程淘汰,直到留下最精锐的队员,形成全天候、全时段的实战能力。  集训队队长高风智勇双全,性格刚毅,极具阳刚之美,他以优异成绩毕业于国外某著名的“侦察学校”。他以前瞻性的作战理念贯穿训练始终,并以近似实战的标准摔打集训队的每名队员,包括唯一的一名女队员白凌云。  集训队队员康东是一名地方入伍的大学生,对军旅生活充满憧憬和向往。生性活泼、情感外溢,成为一名优秀军官是他久藏于心的一个夙愿,更是其向朋友显示男人尊严的一个最佳理由。  队员陶虎血脉中流淌着上一辈人从军的激情和梦想,对军队抱有一颗赤忱之心和挚爱之情,训练中大胆探索、勇于实践、思维敏捷、乐于助人。他对康东的英雄人格重塑起到了非常关键的作用。然而,在众人眼中非常优秀的他,在深水下潜考核训练中肺部受伤。  女队员白凌云身世坎坷,过早地成为孤儿。她理智地将个人和家庭的不幸抛于一边,集训期间巾帼不让须眉,胆识过人、勇于挑战,且在训练中颇具科学创新精神,是新形势下我军秀外慧中的女军人的杰出代表!  副队长陈建与高风是最好的朋友,又是最强劲的竞争对手。虽然每次都是高风占上风,但陈建在竞争中表露出来的永不服输的昂扬斗志和坚忍不拔的意志也让高风敬佩不已。高风在国外期间,陈建给了高风的妻女极大的帮助。高风的妻子叶秋因积劳成疾,死于晚期肺癌,这是陈建最不能谅解好友高风的理由!  因无暇照顾女儿,高风将楠楠寄托在女教师陈蓝(陈建之妹)处。通过不断的观察和交往,陈蓝对高风的感情逐渐由敬佩、理解转为心生爱意,而陈建则极力反对。  高风在以主抓军事训练的军区王副参谋长和上级机关指导下,大胆拓宽训练方式,打破传统训练思维,坚持人无我有、人有我特、人特我绝的原则,融趣味性、耐力性、科技性、实战性、团队性于一体的训练手段极大地调动了集训队员的训练热情和训练潜能,一支身怀绝技、士气高涨、斗志昂扬、具有多栖作战能力的精锐部队正呼之欲出!  陈建带着对老部队的不舍,转业了。即便在后来凭借自己的一身过硬功夫找到一份轻闲、高薪的工作——某大公司老总的保镖,他依然怀念火热奔腾的军营生活。  因工作突出,陈建被破格提拔为公司办公室主任,但他对公司的运行状况和业务往来却一无所知。  高风在明知陈蓝身患癌症的情况下仍要求与其结婚,陈建很受感动。陈蓝癌症手术良好,她的健康和乐观情绪感染了所有集训队员。  陈建在卧底女律师谢辰的积极帮助下终于对自己公司的经营状况心生怀疑,并借着身份的优势成功取得走私犯罪集团的核心机密。该犯罪集团罪行败露,主要骨干仓皇从海上外逃。  集训队的毕业考核在紧张激烈、如火如荼中进行,各项科目顺利进展。突然,主考官接上级通报:暂停考核,协助地方公安人员在考核地域抓捕一批犯罪分子。一场特殊的战斗再次打响。在这场战斗中,陈建为掩护高风中弹牺牲,临终前两人化解所有恩怨情仇。而所有队员则在这场血与火、生与死的决战考核中交出了一份合格的答卷。他们将以无所畏惧、无往不胜的英勇品质和顽强作风,接受更加严峻的考验。

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格雷斯第四季
英国英语2024
  Filming is underway on series four of critically acclaimed ITV1 detective drama, Grace, starring John Simm as Detective Superintendent Roy Grace and based on the best selling novels from globally renowned author, Peter James.  Set in Brighton, Grace also sees returning cast members Richie Campbell (Top Boy, Stephen) as DS Glenn Branson, Zoë Tapper (Liar) as Cleo Morey, Craig Parkinson (Line of Duty) as DS Norman Potting, Laura Elphinstone (Chernobyl) as DS Bella Moy, Brad Morrison (Dinosaur) as DC Nick Nicholl and Sam Hoare (The Capture) as ACC Cassian Pewe.  This series will also feature renowned TV and theatre actor, Robert Glenister (Sherwood, Hustle).  Commented John Simm:  “I’m so pleased to be back on set, filming series four of Grace. Four of Peter James’ Roy Grace novels are being adapted for this series and Grace fans will be pleased to know the stories are as dark as ever with lots of twists and turns.”  Commissioned by ITV’s Head of Drama, Polly Hill, and Drama Commissioner, Huw Kennair Jones, the new series comprises four feature length films (4 x 120 mins) based on Peter James’s novels. Huw Kennair Jones will oversee production from ITV’s perspective.  Viewing figures for series three have so far averaged over 5.6m per episode, an increase on series two, with the first episode consolidating at 6.7m.  Commented Huw Kennair Jones:  “We're thrilled to be making another series of Grace. John and the team continue to bring Peter's brilliant characters and stories to life in such an exciting way. It's also great to be working with Tall Story and Vaudeville Productions again as we head back to Brighton for four brand new cases.”  Executive Producer Patrick Schweitzer said:  “I’m delighted we are getting to adapt another four of Peter’s wonderful books for ITV and it’s great to have the cast and crew back together filming in Brighton.”  Author Peter James said:  “As a writer, the chance to have such a phenomenal and collaborative cast and crew to bring my novels to life continues to be a dream come true. Audiences have so generously embraced the series with such enthusiasm and I cannot wait for Roy Grace fans, old and new, to see these four new episodes.”  Grace is a co-production between Tall Story Pictures, part of ITV Studios, and Vaudeville Productions. Executive producers are Patrick Schweitzer for Tall Story Pictures, and Andrew O'Connor and Paul Sandler for Vaudeville Productions, Kiaran Murray-Smith and Peter James. International distribution is handled by ITV Studios.  Writers for this series are Ed Whitmore for episode one, Ben Court and Caroline Ip for episode two, Tony Marchant for episode three and Jess Williams for episode four.  Brian Kelly will direct episode one, Billie Eltringham directs episode two and Kiaran Murray-Smith is also the series producer.  The first film in the new series is called Dead Man’s Time. A vicious robbery at a secluded Brighton home, draws Grace and Branson into a puzzling enquiry when thousands of pounds worth of beautiful antiques are stolen from the house. As Grace digs deeper into this mysterious crime, he unearths a web of ancient grudges - a web which leads him down a dark, murderous trail through the world of Brighton antiques, in a race against the clock, to untangle who is at the heart of this robbery, and bring Gavin Daly the answers he has been desperately chasing for many years.  In episode two, Want You Dead, Grace and Branson investigate a case where nothing is truly as it first appears. When an unidentified victim is found dead in curious circumstances, the post mortem reveals more questions than it does answers. As Grace works to identify the body, hoping this might provide some crucial clue as to the killer’s motive, he soon has another death on his hands when a second victim shows up in central Brighton, discovered in similarly bizarre circumstances.  You Are Dead is episode three in which Grace and Branson are thrown into what is possibly their most disturbing and high-profile case yet, when an unsettling discovery of skeletal remains is unearthed by workmen digging up a path in central Brighton. Meanwhile, across the city that same morning, a victim is snatched in broad daylight. With no witnesses and no sign of who took her, Grace starts to suspect whether the victim’s fiancé is lying to the police.  The final episode in the series is Love You Dead. When a known Brighton burglar is found dead in his car, in gruesome circumstances, his wife claims that he had turned over a new leaf, but all the evidence points to the fact the victim may still have been up to his old tricks and was breaking and entering on the night he was killed. As Grace and the team work to hone in on the circumstances leading to the victim’s death, Roy receives a call from a US police contact about a crime abroad which bears the hallmarks of a mafia hit. The police are keen to trace a woman they believe to be from Brighton, who could be in danger. As Roy scours the city to help find her, it becomes apparent he isn’t the only one looking for this mysterious woman.

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